Zöllner’s illusion and Agnes Martin’s lines, Color pencil drawing (diptych), 2010

Transcendental Physics, Toril Johannessen [more information here and here]

Victor Skrebneski, Resting Cloud, Large-format archival pigment print, 2010

“How can I make my arrangement original—give it that something that will make it stand out from run-of-the-mill art?”

Et Al, Modern Arrangements, printed paper, epoxy resin and acrylic on three stools and two speakers with wire coated magazine rack and found book

mianoti:

Katja Mater * [prev.]

[…]In this project ‘Remission’ I take a picture of the complete content of a book, shooting all pages on one negative. I show the entire content, and erase it again by doing so. A summary, ending up in a book shaped blur. The books I use for this project are books that have inspired me to think about photography.[…]

justanothermasterpiece:

Steven Seinberg.

“Roni Horn has produced four bodies of work shaped by her reading of Emily Dickinson. Lines from 23 Dickinson poems and one letter have been represented in configurations of either aluminum columns or aluminum cubes. Her site-specific installations often feature geometrically derived, machined objects that are placed in such a way that focus is transferred from the object itself onto dynamics at play among three-dimensional form, viewer, and site.”

— Eva Heisler (Reading as sculpture) [her full book here]

Roni Horn, When Dickinson Shut Her Eyes - For Felix; No 1027, 1993