Posts tagged Birds

auxiliofaux:

Funerals

Argus Anastigmat f4.5/50mm -

Arista 100 35mm

multiple exposures

©2012auxiliofaux

(via Richard Auxilio)

auxiliofaux:

Funerals

Argus Anastigmat f4.5/50mm -

Arista 100 35mm

multiple exposures

©2012auxiliofaux

(via Richard Auxilio)
Wolfgang Suschitzky, Trafalgar Square, London, 1953, printed later

Wolfgang Suschitzky, Trafalgar Square, London, 1953, printed later

“Like negative sculptures, the birds are rendered in negative space. These are not images of birds, or even stuffed birds, but rather the space left after the bird has gone.” [The Recycled Library] Kylie Stillman’s “Rufous Treecreeper”

“Like negative sculptures, the birds are rendered in negative space. These are not images of birds, or even stuffed birds, but rather the space left after the bird has gone.” [The Recycled Library] Kylie Stillman’s “Rufous Treecreeper

“Birds fly over a factory at dusk; a lone tree stands in the middle of a rippling lake; rain pours against garbage in a deserted alley. These “in-between” shots derive from Hollywood films. The images slip through cracks in our conscious memories, triggering a displaced familiarity. We have seen this before, but we don’t know where.” 

Scott Kildall, Future Memories  (2006) — Video installation

“Birds fly over a factory at dusk; a lone tree stands in the middle of a rippling lake; rain pours against garbage in a deserted alley. These “in-between” shots derive from Hollywood films. The images slip through cracks in our conscious memories, triggering a displaced familiarity. We have seen this before, but we don’t know where.”

Scott Kildall, Future Memories (2006) — Video installation

The birds depart, the flowers wither, the branches are dislodged and drift downward; no trace is left of the floating island but a stone submerged by the water; — such is our personality.
Cyril Vernon Connolly, The Unquiet Grave (1944), Part I: Ecce Gubernator (p. 20)
Hans Hammarskiöld, Battersea Bridge, London, 1955/1980

Hans Hammarskiöld, Battersea Bridge, London, 1955/1980