In Ligon’s paintings, the instability of his medium—oil crayon used with letter stencils—transforms the texts he quotes, making them abstract, difficult to read, and layered in meaning, much like the subject matter that he appropriates. Ligon threads his own image and autobiography into symbols that speak to collective experiences. “It’s not about me,” he says. “It’s about we.” [more here]

Glenn Ligon, Stranger Drawing, 2004

In Ligon’s paintings, the instability of his medium—oil crayon used with letter stencils—transforms the texts he quotes, making them abstract, difficult to read, and layered in meaning, much like the subject matter that he appropriates. Ligon threads his own image and autobiography into symbols that speak to collective experiences. “It’s not about me,” he says. “It’s about we.” [more here]

Glenn Ligon, Stranger Drawing, 2004

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    Glenn Ligon, Stranger Drawing, 2004
  3. swinghigh-swinglow reblogged this from mondonoir and added:
    Cried when I couldn’t find prints of his work…
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